#rp26 speaker Henning Besser: How does something like Deichkind work?

In conversation with Markus Beckedahl, Henning Besser explores the intersection of artistic and conceptional practice.
Image
Foto von Henning Besser
Photo Credit
privat

What role does embracing areas of tension play, and the hope that our differences are our strength? What does it take to endure this? How can the concept of connection and support help us? Is resonance a good substitute for a compass? What are infinite games? Is “no goal” the new goal? Can a band – or rather, a group that isn’t really a band – be a well-being economy? So what’s new about this permanent state? What are the right questions to ask now? At #rp26, Henning Besser of Deichkind invites you to reflect on these questions together with re:publica co-founder Markus Beckedahl

Henning Besser, aka La Perla, is the Ted Lasso of Deichkind. To him, Deichkind is a concept in the guise of a pop group that he came up with and for which he develops stage performances with his team or contributes ideas for music videos. In between, he also occasionally takes on the role of the band’s manager. Henning once used to be on stage with the band, but today he tends to stay out of sight in the background – seeing artistic work as research that doesn’t present its findings in a white paper, but rather makes them tangible through a concert experience.